This sculpture has been inspired by an ongoing discussion, in both philosophy and in many religious practices, on the subject of self. When do we become aware of 'self'? What is the true 'I'? We certainly have little or no sense of self when we are asleep, do we obtain it back when we wake up?

In my view, we are oneness with the world around us, yet we go about our day with a complete conviction of ourselves being separate beings. Once we start paying attention via meditation we notice that the borders between us and the world blur and disappear in a state of tranquility.

This is my second sculpture version on the subject of self-illusion.

This sculpture is cast in hydrostone, hand polished, primed, painted, and varnished to achieve the satin effect.

This artwork has been selected as a finalist in the representational sculpture category at the American Art Awards.

Size (with stone base): 41 H x 30 W x 21 cm

It can be purchased by contacting me or on my SaatchiArt profile.

Human feet are very complex and are not easy to sculpt. Many people are fascinated by human feet. Feet, like hands, can tell a story about someone's life. This work is my attempt at tackling this part of the human body expressively - a beautiful athletic male foot.

This foot is cast in a special hard plaster, hand polished, painted in such a way to achieve a gradient of colour, varnished with a satin finish, and mounted on a stone base. Size (with stone base): 39 H x 13 W x 13 cm

This artwork was recognized:

1. finalist at UniSQ Biennial Art Award

2. Winner in the representational sculpture category at the World Art Awards

This sculpture was exhibited at the finalists' Group exhibition at UniSQ in Queensland, 12th April - 18th May 20204, Australia

It can be purchased by contacting me or on my SaatchiArt profile.

Human feet are very complex and are not easy to sculpt. Many people are fascinated by human feet. Feet, like hands, can tell a story about someone's life. This work is my attempt at tackling this part of the human body in an expressive way - a beautiful athletic male foot.

This foot is cast in a special hard plaster, hand polished, primed, painted, varnished with a satin finish, and mounted on a stone base.

Size (with stone base): 39 H x 13 W x 13 cm

This artwork was selected as a finalist at Fisher’s Ghost Art Award in the Traditional category

It can be purchased by contacting me or on my SaatchiArt profile.

I created this life-size portrait as a commission from a friend. The sculpting took about eight 2-hour sittings. It’s executed in clay, fired, and painted to achieve a faux bronze look. It also has a wax coating for protection, giving a pleasant leathery feel when touched.

My sculpting journey began with a model of the posterior and pelvic area of the male body. Many years later I decided to repeat this miniature sculpture as a reflection on my artistic journey. This sculpture is inspired by the physique of a male ballet dancer.

Limited edition of 60 (all three color options combined).

It's made in a classical-contemporary style. The piece is a solid cast of special casting plaster, hand-polished, gilded with gold leaf, (or painted in red or black), and sealed with three coats of gloss varnish to protect the surface for many years. The sculpture is mounted on a 10x10 cm natural marble base, which is also polished. The height of the artwork is 18 cm (with the marble base)

It can serve as a perfect gift for someone who appreciates male physique and beauty. It will attract attention as a small sculpture complementing decoration at home, be it on a tabletop or a bookshelf.

Please contact me if interested.

Ballet dancers have always been a source of inspiration for me as an artist, for both painting and sculpture. Their extraordinary and expressive physique is a source of endless artistic ideas.
This miniature sculpture is inspired by the physique of a male ballet dancer.

Limited edition of 60 (all three color options combined).

It's made in a classical-contemporary style. The piece is a solid cast of special casting plaster, hand-polished, gilded with gold leaf (or painted black or red), and sealed with three coats of gloss varnish to protect the surface for many years. The sculpture is mounted on a 10x10 cm natural marble base, which is also polished. The height of the artwork is 22 cm (with the marble base)

It can be a perfect gift for someone who appreciates male physique and beauty or ballet. It will attract attention as a small sculpture complementing decoration at home, be it on a tabletop or a bookshelf.

If interested feel free to contact me

I produced this sculpture when thinking of the illusions of "reality" we live in our daily lives. It is easy to assume that we are surrounded with unquestionable objects and true facts only until we start doubting them.

Many people who have been raised in religious conditions carry over the belief in god through out their lives as it has been imprinted in their memory and mind at an early age. Some people later find their way without the inconsistent [with science and real world] truth of religious doctrines and beliefs they have adopted. This process of converting a strong belief (e.g. religion) into a positivist/humanist perspective is usually rather painful and associated with the realisation of time wasted in our short lives. Great mental strength is needed to overcome this agony.

My answer to this metaphysical problem is that it can be found in the strongest emotions we experience in our lives.

It seem that the only time we can be really sure about anything existing in this world, and be very certain about it in philosophical terms, is when we go through the torment of agony.

Work 1/20

Size (with marble base): 41 H x 23 W x 26 cm 

Can be purchased by contacting me or on my SaatchiArt profile.

This sculpture has been inspired by an ongoing discussion, in both philosophy and some religious practices, on the subject of self. When do we become aware of 'self'? We certainly have little or no sense of self when we are asleep, do we obtain it back when we wake up?

It would certainly be a very different world, rather hard to imagine, if we did not inherit this illusion of self. The boundaries between ourselves and the world around would be nonexistent or very blurred; we would probably feel as an integral part of a bigger universe, bigger and more fluid than inconsistent image of the immediate universe we perceive in our minds. This is all speculation.

Although what is interesting is the reaction we have if we think of losing 'self'. It somehow feels, and the feeling is shared by many other people I discussed this hypothetical scenario, that all is left of us is the shell, container of our body, that acts and reacts but 'I' is no longer there - emptiness and sad reflections on the loss. This is what I tried to represent in my work.

Work 1/10 (original)

Size: 36 H x 21 W x 35 cm 

Can be purchased by contacting me or on my SaatchiArt profile.

This work has been inspired by two artists of the past: Eadweard Muybridge and Francis Bacon. Initially Myubridge made a series of photos (slow motion) of a child with paralysis that could not walk other than on all fours. This photo series has inspired Francis Bacon to paint two pictures titled "Paralytic child walking on all fours" and "After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child". I could not resist the temptation to continue the story of the child and sculpted the boy.

Work 0/10 (original)

Size: 15 H x 16 W x 28 cm 

Can be purchased by contacting me or on my SaatchiArt profile.

This is the first sculpture - “Christianity Burial” - in a series dedicated to studying religion, a critical perspective on religion, and its interactions with humanism. The title of the work is self-descriptive, answering the question: "Do we inherit good ethics from Christianity to guide our lives?"

One of a kind piece.

Size: 18.5 H x 14 W x 23.5 cm

Can be purchased by contacting me or on my SaatchiArt profile.

This is the second sculpture - “Judaism Decoupling” - in a series dedicated to studying religion, a critical perspective on religion, and its interactions with humanism. The title of the work is self-descriptive, answering the question: "Do we inherit good ethics from Judaism to guide our lives?"

One of a kind piece.

Size: 27 H x 20.5 W x 19 cm

This sculpture composition has been inspired by an outstanding Sleeping Beauty ballet performance I saw in Budapest Operahaz. Two main fairy characters of the ballet in a fighting action are represented here: Lilac Fairy is being attacked by Carabosse.

One of a kind piece.

Size of the compisition (approx): 21 H x 17 W x 46 cm

Carabosse size: 21 H x 17 W x 21 cm

Lilac Fairy: 21 H x 16 W x 18 cm

Can be purchased by contacting me or on my SaatchiArt profile.

Sculpture: Acrylic on Ceramic.

This is my third and last work in a series of emptied virgins. Through this emptied abstracted female figure I tried to represent the dreaming process and internal calm emptiness.

The figure is made of ceramic material (fired clay model), painted in dark grey from outside and venous blood red inside. In order to protect painted surface it's finished with matt varnish.

One of a kind piece.

Size: 11 H x 29 W x 16 cm

Can be purchased by contacting me or on my SaatchiArt profile.

Sculpture: Acrylic on Ceramic.

Through this emptied abstracted female figure i tried to represent the emotion of sadness and internal emptiness.

The figure is made of ceramic material (fired clay model), painted in dark grey from outside and venous blood red inside. In order to protect painted surface it's finished with matt varnish.

One of a kind piece.

Size: 18 H x 20.5 W x 16.5 cm

Can be purchased by contacting me or on my SaatchiArt profile.

Sculpture: Acrylic on Ceramic.

Through this emptied abstracted female figure i tried to represent the emotion of despair and elusiveness of emotional fulfilment.

The figure is made of ceramic material (fired clay model), painted in dark grey from outside and venous blood red inside. In order to protect painted surface it's finished with matt varnish.

One of a kind piece.

Size: 19 H x 19 W x 20 cm

Can be purchased by contacting me or on my SaatchiArt profile.

Sculpture: Ceramic, Paint and Plaster on Ceramic.

Inspired by the work of Norwegian painter Ørjan Anmo Moen called 'Standing Wave', I have created this work contrasting organic form of an abstracted leaf shape and inorganic sharp form that is artificial to life nature objects.

This has been created in my Hungarian flat/studio fired there and brought back to london for finishing (polishing, painting, varnishing).

This sculpture is a two-piece composition, - fired ceramics, painted with acrylic and varnished with a professional varnish to protect paint and the sculpture from environmental factors.

One of a kind piece

Sculpture Size: 17 H x 20 W x 18 cm

Available for sale here: http://www.saatchiart.com/art/Sculpture-Organic-Inorganic-Study/764980/2983751/view

Sculpture: Ceramic and Paint on Ceramic.

Three-piece composition expressing parental care, safety and protection via organic forms and abstraction.

One of a kind piece.

Size: 32 H x 23 W x 25 cm

Available for sale here: Maksim's Saatchi profile - Guinn's Love

Sculpture: Resin and Metal on Iron.

Virgin 1 - Sadness (Iron) (1/7)

Cold cast iron with micro-crystalline wax finish.

First work in a series of "virgins" that exhibit different emotional states of a fertile woman.

Size: 20 H x 20 W x 23 cm

Sculpture: Marble and Resin on Marble.

Virgin 2 (Iron) - Sorrow (1/7)

- White cold cast iron with micro-crystalline wax finish.

It's my second work in a series of "virgins" that exhibit different emotional states of a fertile woman.

Size: 19 H x 17 W x 16 cm

Can be puchased by contacting me or on my SaatchiArt Profile

Sculpture: Marble and Resin on Marble.

Virgin 2 - Sorrow (1/4)

- White cold cast marble with micro-crystalline wax finish.

It's my second work in a series of "virgins" that exhibit different emotional states of a fertile woman.

Size: 19 H x 17 W x 16 cm